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What I Learned From…
“Constant as the Wind” Riff
“Highland Shuffle” Intro
“New Year’s Day” Chord Voicings
“Revival Downs” Instrumental Section
“Riding the Bean” B section
“Riding the Bean” Main Melody
“You Don’t Love Me” Riff from Essential Blues
3 Note Inversions for G7
3-Note Fourths Lick
6/8 Lick for “All You Need is Love”
A Major or F#m Melodic Line with Triads
A Major Triplet Lick
A7 Open String Country Blues Lick
A7 Stairstep Lick
Acoustic Blues Turnaround in C
Add9, 2, and sus2 Chords
Am Dorian Springboard Lick
Am7 Line
Am7 Pentatonic Lick
Angular Blues
Another Tritone Lick on E7
Ascending Chord Lick in C7
Ascending Descending Pentatonics
Ascending F#m Line
Ascending Triplet Lick
B7 Bending Lick Using First Finger
Basics: Chord Voicings
Basics: Knowing the Notes
Basics: Master the Entire Fingerboard
Bb7 Open String Lick
Bending Exercise
Bluegrass Blues Lick
Blues Classic Turnaround
Blues Classic Turnaround 2
Blues Comping RnB Style
Blues Doublestops with Tritone
Blues Intro in C
Blues Lick with Compound Bend
Blues Turnarounds in A
Blues Variations
Bm Octave Displacement
Bm Using Major Triads
Bm7 Sliding
Bridge of “Lonestar”
C7 Sliding Line
C7 String Skipping Lick
C7 with Rampant Chromaticism
Carl’s Guitar Diary #1 – Live at the Baked Potato
Carl’s Noodles #1 – High Gain Rock
Carl’s Noodles #2 – Spacey Shred
Carl’s Noodles #3 – Country Pickin’
Carl’s Noodles #4 – Groovy Blues
Cascading Major Scale Line
Cascading Pentatonics
Cm Blues Lick
Cm Line with Open String Concept
Country I-IV
Country Lick #5 – Pedal Steel Sixths
Country Lick #6 – Holly House
Country Lick 1 in G7
Country Lick 2 in G
Country Lick 3 in A (pedal steel style)
Country Lick 4 in A
Country Rhythm with Sliding Thirds
Country Steel Licks for Blues
D Major Country Line
Descending Diminished Line
Diminished Line in Fives
Diminished Scale in Funk Music
Diminished Scale Part 1
Diminished Scale Part 2
Diminished Sequence Up the Neck
Dm Stairstep Lick
Double Octave Line from “Beyond My Reach”
Double Time Technique
E Major Pentatonic Ascending Line
E Major Pentatonic Barnburner Lick
E Major Slide Lick
E7 Chord Lick
E7 Country Lick
E7 Cro-Magnon Lick
Ear Training Part 1
Eleventh Chord Line
Em Rhythmic Sequence
Em7 Lick – Major to Minor
Em7 Line No Fourth
Extending Chords with Harmonics
F7 Second Line Funk Riff
Fast Ascending Line in Am
Fingerpicking Turnaround with Contrary Motion
Five Note Sequences
Four Note Scale
Fusioneer’s Disease Lick
G#m Pentatonic Sequence
G7 Altered Diminished Line
G7 Country Lick
G7 Tritone Lick with Open String Intro
Garage Sale Melody
Giant F Major Line
Giant Gm7 Line
Gm Stairstep Lick
Gm7 or Bb Position Change Lick
Grooving in E7
Hank Garland: “Sugarfoot Rag”
Holdsworth-Inspired Diminished Line
How to Play “Down Like Hail”
How to Play “Havona” by Weather Report
How to Play “Key to the Highway”
How to Play “Little Swamp”
How to Play “Someday After a While”
How to Play “The Times They Are a-Changin'” (Bob Dylan)
How to Play “Wildflowers #2”
Inner Voice Motion for Dominant Chords
Insane Wang Bar Licks
Intervallic Minor Line
Introduction to the Lick Book
Inventive Rhythm Guitar
Jeff Beck Lick in D7
Line Construction in Am
Line Construction in D Major
Line Construction in G7
Major Pentatonic Plus the 4th
Masterclass: “All You Need Is Love”
Masterclass: “Beyond My Reach”
Masterclass: “Fourth Door on the Right”
Masterclass: “Hard Times”
Masterclass: “Jet Plane Blues”
Masterclass: “On Our Way”
Masterclass: “Ratatouille”
Masterclass: “Taylor’s Blues”
Masterclass: Carl’s Arrangement of “In My Life” (The Beatles), Part 1
Masterclass: How to Play “Naima” by John Coltrane
Masterclass: The Hardest Tune I Ever Learned – “Actual Proof” (Herbie Hancock)
Masterclass: Tour of Carl’s Live Rig
Melodic Minor Over Chords
Melodic Patterns
Min7b5 Arpeggio Sequence
Minor Sliding Lick
Minor Sliding Lick 2
Minor to Major Pentatonic Line
Mixing Pentatonics
Modes – It’s All About Context
Modes Part 1: Introduction and Ionian
Modes Part 2: Dorian
Modes Part 3: Phrygian
Modes Part 4: Lydian
Modes Part 5: Mixolydian
Modes Part 6: Aeolian
Modes Part 7: Locrian
Movable Sixth Chord Lick
Moveable 6/9 Chords
Moveable Triplet Line with Open String
Neck-Spanning F#m Line
One String Sliding
Open String Bluegrass and Country Blues Lick
Open String Licks Part 1
Open String Licks Part 2
Pastoral Lines
Pentatonic Rhythmic Ideas
Performance Project: “Acute Blues”
Performance Project: “ISS (Intervallic Space Station)”
Performance Project: “Peach Jam”
Phrasing Over A 1-Chord Vamp
Phrasing Techniques
Power Diminished Line
Power Pentatonics
Return of the Insane Wang Bar Licks
Right Hand Technique
Ringing E Major Lick
Rockabilly Doublestop Bend
Samba Comping
Saxophone-Style Blues Lick
Scales #1 – The Five Scale Patterns
Scales #2 – Reverse the Patterns
Scales #3 – Circle of Fifths in One Position
Scales #4 – Four Notes Per Key
Sessions: “Cheers”
Sessions: “Land of the Lost”
Sessions: Star Tours
Sight Reading
Singing and Playing Chinatown
Slash Chords Overview
Sliding Chords
Sliding Harmonics
Song Analysis: “God Only Knows” (The Beach Boys)
Song Analysis: “Good Vibrations” (Beach Boys)
Song Analysis: “Goodbye Yellow Brick Road”
Song Analysis: “Here, There and Everywhere”
Song Analysis: “Just Like A Woman” (Bob Dylan)
Song Analysis: “Surfer Girl” (Beach Boys/Brian Wilson)
Song Seeds (Songwriting Tips)
Stairstep Lick
Stretchy Chord Voicings
String Skipping Diminished Line
Swamp Blues
The Amazing 7#5 Lick
The Mystery Dominant Chord
The Power of Slides (Cm)
The Story of My Les Paul
There’s a Fingering for Everything (Hank Garland: “Move”)
Tones – Classic Blues
Tones – Classic Jazz
Tones – Country Lead
Tones – Ethereal Man
Tones – Introduction
Tones – Rockabilly
Tones – Semi Crunch
Tones – Shimmering Clean
Tones – Surf
Tones – Vibratone Secret Weapon
Tones – Vintage Chime (Beatles and Byrds)
Transposing Made Easy (Ukulele)
Travis Picking
Triplet Lick in A7
Tritone Lick #1
Tritone Lick #2
Tritone Lick #3
Tritone Lick #4
Tritone Lick #5
Using the Fret Hand Thumb
Walking Bass Lines
What I Learned From Albert King
What I Learned From Albert Lee
What I Learned From Albert Lee Part 2
What I Learned From Allan Holdsworth
What I Learned From BB King
What I Learned From Chet Atkins (Autumn Leaves Full Performance)
What I Learned From Chet Atkins Part 1
What I Learned From Chet Atkins Part 2
What I Learned From Clarence White
What I Learned From Danny Gatton
What I Learned From Derek Trucks
What I Learned From Don Carr
What I Learned From Don Carr Part 2: Country Doublestops
What I Learned From Don Rich and Steve Morse
What I Learned From Duane Allman
What I Learned From Eric Clapton
What I Learned From Eric Clapton Part 2
What I Learned From Eric Clapton Part 3
What I Learned From Eric Johnson
What I Learned From Jerry Reed
What I Learned From Jimi Hendrix Part 1
What I Learned From Jimi Hendrix Part 2
What I Learned From Jimmy Herring
What I Learned From Joe Diorio Part 1
What I Learned From Joe Diorio Part 2
What I Learned From Joe Pass
What I Learned From Joe Walsh
What I Learned From Joe Zawinul
What I Learned From John Coltrane
What I Learned From John McLaughlin
What I Learned From John Scofield
What I Learned From Josh Smith
What I Learned From Kenny Burrell
What I Learned From Larry Carlton Part 1
What I Learned From Larry Carlton Part 2 (How to Intonate Your Guitar)
What I Learned From Lenny Breau
What I Learned From Leslie West
What I Learned From Mike Bloomfield
What I Learned From Oz Noy
What I Learned From Pat Martino
What I Learned From Pat Martino Part 2
What I Learned From Pat Metheny
What I Learned From Roy Clark
What I Learned From Sonny Rollins
What I Learned From Steve Cropper
What I Learned From Steve Lukather
What I Learned From Steve Morse
What I Learned From Tommy Emmanuel
What I Learned From Wes Montgomery
What I Practice
Whole Tone Scale Ideas